We chase the light this time — doors at 6, brushes up by 6:30, and we paint the sunset while it happens. All materials provided, plus light bites and a pour. Beginners are my favorite people.
After-hours access to the galleries with live narration from the people in the photographs. Small pours, small bites, big history. Capacity is limited — this one sells out.
Session 004. Location drops to ticket holders 24 hours out — all you get now is: warehouse, two rooms, sunrise finish. Left room is house, right room is whatever we feel like. Early birds move first.
The studio doors come open one night this month — works in progress on the easels, finished pieces on the wall, and me talking through all of it. Small prints available. Come through, stay a while.
The city's own holiday. DJs on two ends of the block, vendors down the middle, and the lowriders pull up at sundown. GA gets you in — VIP gets you the roped section, a plate, and no line all night.
A new run of risograph prints, signed at the table, with records on all night.
Three days of work, one afternoon where you watch it come together. I'll be up on the lift from noon — pull up, ask questions between passes, watch a face show up out of nowhere. Free and outdoors.
We're taping the next special and you're the laugh track. Free seats, real jokes, and if you shout 'HALLELUJAH' at the right moment you might make the final cut. Doors at 6:30, cameras hot at 7.
Y'all been asking me to bring it to the Hub City — say less. One night only, all new material, and you KNOW the crowd work is coming. VIP gets the meet & greet and a photo before doors. 18+.
Opening night for our new permanent wing — the athletes, artists, and organizers who put Compton on the map, told in their own artifacts. VIP includes a pre-reception with the curatorial team and featured families.
